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This sounds pretty amazing actually. Did they ever make a rack mount version of this thing?

There are barely reviews online, it’s even courageous to do one with all the hate going on. I think it’s a work of love with lots of input from the community. Thank you for your initial thoughts. If it sounds anything like an ob-xa I’ll take this one, can’t afford a 5k synth and life is too short to save up for one. I mean we even have MPE.

My favorite RUclips video

Great video. I recently bought a Perfourmer and I am in love with her voice, her warmth. The Vermona Perfourmer is like an old cello you get to hug as she loves you right back. Filters szchmilters.

Still need this tutorial in 2024... that's somehow a shame Korg, isn't it? But thanks for the tutorial Tim, it works fine! :-D

32:30 of negatives, then “forgetting about the negatives, the positives…” It’s rather difficult to forget 30+ mins of negatives. 😁 And then you spend only 1 minute on the positives? 1 minute! Why would you put out a video like this for something that you like enough to buy later on the used market? That said, I appreciate your analysis of some of this synth’s idiosyncrasies. That analysis along with the comments here with workarounds for some of these idiosyncrasies will help me with my Syntrx II that’s on the way.

Damn! I was saving up for a Juno 60 but this just made me want a prophet 6 even more. ill save up for it now

Loved it. Thanks.

Love that song at the end with the cats it's great! Although, I hear a very very close resemblance to the mission impossible theme 😆

People saying u don't need to use outboard gear, no duh!! They probably just can't afford to have outboard gear and also don't know how to incorporate it into their all laptop "studio"

does it have smooth transition of sound when selecting a different preset while holding down the keys of the first preset?

Hi Tim, I didn't even know you did a video about out humble Rachael. Thank you! We've just updated out site with a lot better information about all our stuff now, so have a look and let me know what you think.

Ok, now that´s smooth. I mean seriously smooth. Convincingly professional and instantly emotional.

Really dope. What other releases will you be doing?

Just ordered myself a poly d at the music store yesterday, havent been so excited for something in a decade easily. Yeah i might not live an exciting life but i try to live a good life and pretty soon its gonna have a poly d in it. Im happy😊

One last BRAVO nd good show:. RE: SoundMangling. Due to YOU, I continue to own my MINILOGUE XD. I can't let it go. I was so pleased to find that ALL the wonderful USER Oscillators you created for the XD remain available FOR SALE on your Sound Mangling website! WHY not buy 'em all, right!

Bravo Tim. You nailed it with this. Bravo!

Decent stereo monitoring capabilities, or as the rest of us might say, good speakers. No wonder Tim's videos take so long to get to the point x

WAY BEST OF ALL: when you pair your Video work with these songs. Just lovely!! I could watch for hours! Brings the song to life.

So Helpful, Tim, that you take the time to Explain your INs/Outs on Cubase. I use Cubase (transitioning from 11 pro to 13 pro. Back to my remark, most creators just presume that their audience just KNOWS everything about connections. That is NOT the case, so thanks for the Connections DETAIL. Equally helpful, your recording techniques provided, i.e., the fading out segment on track X, as your fade in track Y so that you get the same sound clip playing throughout this song, rather than a single track that continues to morph or evolve throughout (for what you wanted in this specific song)

Hey Tim. Off topic question, if you please. About to embark on Behringer pro 800 number 2. Knee jerk, I thought: I need to Buy Tim’s POLY-CHAINING SOFTWARE. I watched Daniel Fisher of Sweetwater DEMO a 2 Pro 800s setup. He said, ‘connect both synths to DAW, pain one Left and one Right and yours done!’ Well, the Pro 800 does NOT have poly chaining built in, so I guess Daniel just had two Cubase tracks with panning left and right ? Anyway, with YOUR SOFTWARE ,I’d have far more Choices about note allocations, wouldbt I ? A restatement of my connections: If You were going to connect 2 Pro 800 synths for the purpose of havingn16 voices instead of 8, and you had no Poly Chain software, how would you do it? Thanks! Mark

Tim - your take on creating a video is *unique* in its intelligence and storytelling - inspiring and insightful in equal measure. Great production values too. 👍

If you use an external clock to advance the sequencer you can in fact add rests. Use one of it's own voltage banks to control the frequency of the external clock, then adjust the amount of control voltage at any given step by increasing the voltage at that step to slow the external clock down and in effect, add a rest.

14:45 No way to limit the numbers of steps? Huh? This module has a reset button and a reset trigger input. You absolutely can limit the number of steps. By either pressing the reset button, using an external signal to reset it back to step 1 or use one the it's own Position Gates to do it.

Hey Tim, funny things you do. But it could also be that you are exaggerating a bit. Question mark !

Know of any other conversion kits out there?

A fairlight cost the price of a house in equivalent money. It was (£15k) in 1982. Synths have got cheaper.

why is that everyone with these expensive modular instruments make such bad music! it gives the impression that modular synths suck . despite the nerd stuff we want these machines to be helpful when making propper music. no offense please. Also i have to thank the video creator for making this video despite me not liking the music

A huge thank you for the labor and work you have done! I myself own an SE ATC-X, and love their special vibe but to be honest I never knew the true history of Studio Electronics. Thank you that this blind spot is now filled with knowledge.

Got Cherry Audio's GX-80 and Sines. VERY impressed with their products so far!

Brilliant walkthrough, thank you.

Ok... it's been 2 years now, so what's the verdict? You've now got the 3rd Wave and the A4 - so do you still have the Moog One and how do you see it compared to your other flagships?

I really appreciate that warning, it prevented me from a big mistake and blow that much money

The Super 5 is MAGICAL! Completely blew my plan to buy SUMMIT. And PolyBrute must be limited, given the combo of hybrid and wave tables that Summit can do; the pallet on the super 6 must be far greater, I would think. Kyra has no MAGICAL, and I’d end up committed to an asylum from tiny screen and PAGING AND PAGING

So beautiful!

Amazing review, Tim!!! Also, thanks a lot for your incredible logue oscillators!

First of all, I always go to your videos when I’m considering a synth. I own an Iridium keyboard and I’m seriously considering a 3RD WAVE. Do you think there is too much overlap between the two synths, or do you think they compliment each other? And thank you for your continual gift of discovery, You are a gem.

Opens a new chapter of joy for my XD thanks!

Hi Tim. Just watched your video about how you're using the SP-404mk2 and found it very interesting and helpful. You mentioned in it that you'd be doing a separate video about how you make perfectly timed recordings. Is this video still in the pipeline for a future release as I haven't found it on your site?

Really appreciate the screen tech review. Just so happens, I'm looking at a used Quantum, Kronos and the MPC live (or keys) right now. I'm now fully informed regarding the Quantum's screen "peculiarities" and the great screens on the Kronos and MPC Live and I'm much obliged. I'm going to get all three of these babies. Thanks for "2 in 1" the video.

Tim, I wouldn't worry about this! I sure that most of us are on your playing field! I'm 74 years and I've been involved with keyboards since I first seen the Dave Clark Five around 1964! And I asked my father to get me a Vox Jaguars! His only requirement was that I take lessons which was alright with me! Any ways come 1967 and I found myself in the United States Marine Corps! When I left the Corps after serving my enlistment thins were starting to change and it wasn't long before the mini moog was on the market but was to expensive at that time which hasn't changed! I instead got involved with strings synthesizers and I'm still involved at my current age! But when we keep at it even with the fumbling that we do everything seems to work out! At my age I'm still always scheming to come up with 5he dough to by that next synth! And so my fumbling just keeps rolling along! Keep up the great work with your videos and Thanks

You said, "It's really not complicated at all." I think I've got, then I don't got it. I agree, Tim, this is a lovely setup for song generation/exploration. Puts you right in that sweet spot to springboard in to the thick of it. Ok, my head hurts now. WHAT IF, say, I wanted to buy this system. I've owned Vermona in the past, so easy to select Melodicer as THE Sequencer pick! Then the Roland MC-101. What is the little box mounted on a stand (like free-floating & tilted downward in space--looking)? Looks like a ZOOM brand. IT looks like it would be a 4 Channel Mixer. Ok, whatever it is, ADD one of those to the list. Next, the Doepfer CV to MIDI (lower box) module. Then I guess [other way around now] the MIDI to CV Converter, a la VERMONA box #2 is just that---MIDI t to CV, Conversion, right? Then,, I'd need 2 wooden cases. Power supplies?? Dunno. I'd needPatch Cables: I think Thomann would call them t THE TimPack.t WHAT is the SILVER-face Module that is left of the VERMONA CV to MIDI Converter?? I know....I already asked that question. WHAT IS the Silver-Faced Module to the LEFT OF the VERMONA CV to MIIDIin the Upper box? AND....what is that Silver Module doing?? This is a $2,000 setup, wouldn't you say? Thanks so much, Tim.

The Poly D is hard to checkout since they are nowhere to be found in Swedish music stores. Could be some issue with other huge manufacturers since the are priced so low.

"What other synths do you know that allow negative keyboard tracking" Not many, apart from (semi-) modulars and software obviously. But it doesn't end there. Keyboard tracking is also an assignable modulation source for all seperate routings plus the mod matrix. Try a sync or ringmod sound with negative keytrack on osc pitch(!). And then lfo1 speed too, modulating the filter. Really wild.

I Ask myself if thèse thinks Can make money or it IS only to use an extensive hobby. Because people don't payer for music anymore. Please, tell me if I make error. I'm presently ask myself a lot. Thanks a lot for your vodeos

Nice demo mate

Old video but still nice, beautiful sounds. Very Tangerine Dream like as it should be :-)

Question Tim: What is the VEMONA piece (left and upright) and then the piece sitting FLAT in front of the VERMONA? My guess is that the VERMONA is a sequencer and the box (can't see the brand) in front of maybe a MIXER. Thanks.

Tim, I'm so happy to be able to live vicariously through you, Oh man of means. I get the impression that you work very hard to earn your money. Anyway, YOU HAVE to buy the BEHRINGER MS-5 and do a review. LESS expensive than the UB, by far. Back when I had every HARDWARD synth except the CS-80 and the JUP 8, I used to SALIVATE over the SH-5 and SH-7; I never found one....and then I sold them all. I still miss my Andromeda. Mark

The constant head moving to see display: You could make a dance move out of this, Tim....try some A-musical tracks with lots of KICK drum. What do they call that noise?? Oh yeah, RAP.